What makes a terrific crime fiction heroine?
By that, I mean a woman of honor seeking justice. I've been told my tough-guy
heroes are men of valor and nobility (in the classical sense). And that makes
me happy.
However, in the various venues I
frequent (critique groups, social media groups, and so forth), authors have
said they're getting comments that their strong-minded heroine isn't
sympathetic. These authors go on to state everyone loves their rough-and-ready
hero, but can't warm up to the very capable heroine. Ya know what? I've had
similar comments and have labored to get my heroines likeable.
Are female sleuths and detectives judged
differently than their male counter parts? The evidence shows this might very
well be. A hero can be blunt, caustic, assertive to the point he's nearly
aggressive and everyone loves him. Let a heroine toss off one barbed remark and
half the readers begin cooling to her.
Quite frankly, this seems to be the
reality and we crime fiction writers who love a tough heroine are going have to
deal with it. It may be that if you're going to write a snarky heroine, you're
going to have to work overtime to make her sympathetic. Many women complain
that in life, in the workplace, even in the home, a man can get away with
things a woman can't. (I'm sure the reverse is true, but we're not talking
about that.)
It seems in crime fiction the hero
can definitely get away with things a heroine can't. In a thriller, he can
shoot five bad guys dead and step right over their bodies. He can put a bullet
straight through one of the thug's eyeballs and still come off with high praise
from readers. Let the heroine do that, in the same back-against-the-wall
scenario, and readers might suggest she'd been excessively violent.
Strictly, between you and me, I'm
not crazy about sappy heroines who seem to catch the killer almost by accident.
A female sleuth blithely walking through a crime scene in stilettos, totally
unaware she's destroying evidence, will not thrill me at all. Then again, I'm
unhappy if the hero makes stupid mistakes in police work. I'm equal opportunity
on that one. I expect all detective main characters, regardless of gender, to
have adequate knowledge of what's expected of a law enforcement officers in the
field.
That said, is it just me, or is
there a tendency on the part of readers (and let's not forget writing contest
judges) not to give the heroine a break? And is that doubly true if she's
rip-roaring strong? I think so.
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Bio:
Like so many writers, Nike
Chillemi started at a very young age. Her first major work was a Crayola, fully
illustrated book she penned as a little girl (colored might be more accurate)
about her then off-the-chart love of horses. Today, you might call her a crime
fictionista. Her passion is crime fiction. She likes her bad guys really bad
and her good guys smarter and better.
Nike is the founding board
member of the Grace Awards and its Chair, a reader's choice awards for
excellence in Christian fiction. She has been a judge in the 2011, 2012, 2013,
and 2014 Carol Awards in the suspense, mystery, and romantic suspense
categories; and an Inspy Awards 2010 judge in the Suspense/Thriller/Mystery
category. Her four novel Sanctuary Point series (out of print), set in the
mid-1940s has finaled, won an award, and garnered critical acclaim. The first
novel in the Veronica "Ronnie" Ingels/Dawson Hughes series HARMRUL
INTENT won in the Grace Awards 2014 Mystery/Romantic
Suspense/Thriller/Historical Suspense category. She has written book reviews
for The Christian Pulse online magazine. She is a member of American Christian
Fiction Writers (ACFW) and John 3:16 Marketing Network. http://nikechillemi.wordpress.com/
2 comments:
It seems tough and feminine sleuths have lost ground among devotees; A few of my old favorites were Myrna Loy as Nora Charles - gorgeous, smart AND snarky, Brenda Starr - bombshell investigative reporter, Emma Peel, a British undercover agent who could be hard boiled and clever and Mary Beth Lacey~ a no nonsense NYC cop. Maybe the popularity of Murder She Wrote, Remington Steele, Moonlighting and the like with less abrasive gal gumshoes turned the tide.
I don't write crime fiction, but I do write thrillers that often include crime. One thing that has worked well for me is to have both a strong-minded heroine and a tough guy in the story along with a romance developing between the two. Seeing the soft side of two tough people seems to make them both more likable.
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